A Boston illustrator elevates his work to new heights with warm, bold brushstrokes.
Announcing the winners of Communication Arts' Design Annual 2015: Our distinguished panel of jurors selected 153 winning projects from 4083 entries.
New York–based design studio DOMANI’s site showcases its wide range of work with personality and color. A simple ... more domanistudios.com
Illustrator Chris Philpot reveals how he infuses his "weird infographics" with just the right amount of tactful humor.
Wendy Richmond finds an unexpected source of inspiration for a new body of work.
Like the product, Caleb's Kola features a label that is well-crafted, yet clean and uncluttered.
PepsiCo Design & Innovation (New York, NY), design
SPAMERICAN posters After more than 75 years on the market, Spam has reemerged as a popular ... more
“Photon” commercial Ad agency Droga5 released its newest video for sustainable energy company NRG ... more
Arctic album teaser animation The music of Dutch electronic duo Leadsmen invokes dark, ... more
Amanda Leigh Smith Photographer / Portland, OR I trust my eye and my gut, and focus more on the experience ... more
Entremanos identity Entremanos, a wine label run by two brothers, presents the viniculture of ... more
Tomorrowland end credits Production studio yU+co’s main on end title sequence for the Walt ... more
The mysterious origins of punctuation.
Purple CD Gary Westlake on how to choose a photographer.
If other companies revamped their iconic logos like Google.
Debbie Millman on fear, time and terrifying learning.
Gerry Leonidas shares his thoughts on the new Google logo.
Ellen Lupton’s top ten favorite typographic posters of all time.
Rachel McClung explains the goal of good design.
Can agencies win if they don’t play the spec pitch game?
Jessica Lowry says augmented reality is the future of design.
In defense of working in an ad agency by Edward Boches.
Justin Bolois on how illustration made a comeback in the #foodporn era.
Doug Zanger on the ever-evolving craft of copy.
It’s time to play ad agency bingo.
The UX case against the home button.
Adobe's senior innovator Michael Rubin on the future of photography.
What do those symbols on the iPhone mean?
Brendon Volpe on how ad agencies can embrace complexity.
Let Louise Fili guide you through the boulevards of Parisian typography.
Phil Edwards on why the Wingdings font exists.
Is spec work evil? Twelve agency execs discuss the unchecked problem.