Jimmy Diebold, Bodega Studios and M83 tribute the Seattle Seahawks by giving life to the lights of CenturyLink Field: Midnight Lights.
For week 44 of his CC52 project Craig Cutler worked with Stephen Meierding to create One Sander, One Drill—with movement by power tools.
Shel Perkins takes a stab at, probably, the most neglected contract in design firms everywhere—the Employee Handbook.
Antonio de Luca's The 100 $how (the US version of The 100 Euro Show) has begun. 50% to the artist and 50% to MercyCorp. Buy something.
Sitting in a group, in a room, everyone shouting out whatever pops into their head (aka brainstorming), doesn't work so well. Cliff Kuang offers a rework.
Spotted on DesignTaxi Jan Vormann's (an artist who likes legos and crumbling architecture) Dispatchwork.
Rupal Parekh on ageism in the ad world.
Variér Brain Design. Fabric design inspired by brainwaves for Variér's Balans chair by DIST Creative and B-Reel.
The most popular fonts from the Typekit library.
Scott Garner's not so Still Life produced at Süperfad.
WEEK OF JANUARY 23, 2012
Designer Robbie Manson explains the value of failure—provided we're mindful of why.
To announce Kinect Star Wars, "Duel" for Microsoft Xbox and Lucas Arts by AKQA, Swift River Productions and Method Studios. Funny.
The Red List. A seemingly endless showcase of visual riches—past and present.
A super-impressive speaker lineup... and only 59 early-registration tickets remaining. ICON7.
When ad agency Lindsay, Stone & Briggs moved, it let people know, like this... LSB Move.
Resurrected in HTML5, Big Spaceship's take on Exquisite Corpse, Corpsify, is mobile.
Eliot Spitzer rewrites Obama's State of the Union address using four infographics—and only ten minutes.
"Sustainable," xkcd's graph of the non-sustainability of the hyperused word.
Now that we know who'll be playing in the Super Bowl, Rob Schwartz comments on the competition to win the Ad Bowl.