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March/April 2011

Interactive Annual | 17

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Last year, photographer Erik Almås’s camera took him to 50 locations on 4 continents to shoot landscapes, lifestyle and fashion for global tourism.
Founded in 1999, Underware’s designers Akiem Helmling, Bas Jacobs and Sami Kortemäki all work from different cities—Den Haag, Amsterdam and Helsinki, respectively.
If Colle+McVoy is any indication, nothing—not even the creative reawakening of a mid-sized Minneapolis agency established in 1935—is impossible.
Jillian Tamaki’s illustration ranges from classic mid-century-style, to comic art, to spontaneous, energetic experiments she shares with the world on her sketchblog.
In Argentina’s difficult economy, there is energy, optimism, creativity and confidence among its designers who work regularly with leaner budgets.
Working from a secluded island southwest of Hong Kong, Nivard Thoes feeds his design thoughts.
Photographer Elizabeth Weinberg stays inspired with Brooklyn bike rides and upstate explorations.
Boston-based illustrator Nate Duval makes a lot of things and sees what sticks.
Ernie Schenck on the similarities of an advertising career and a velveteen rabbit.
Five key steps to becoming a high-performance firm, by David C. Baker.
Wendy Richmond discusses reinvigorating a dormant practice in Visual Atrophy.
The current state of 3-D gesture technology, by Joe Shepter.
Allan Haley queries designers about their favorite fonts.
Blow Up the Design School! Part 1, by DK Holland.
Book Reviews
Tackling the question: what essentials make a photograph, or is it taken?
A smart, disciplined, practical guide to updating logos without getting your foot blown off.
Gadgetry, geekery and gallery installations at the intersection of art and technology.

Communication Arts

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