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March/April 2016
Interactive Annual | 22
View the winners gallery
Meet the jurors
Buy this issue
Features
Photography
David Clerihew
A London photographer captures the playing field’s thrills, skirmishes and its human drama.
Design
Gabriele Wilson Design
Combining hard work with refined taste, this New York design firm has left its mark on book jackets, Brooklyn eateries and more.
Illustration
Pat Perry
The Detroit-based illustrator infuses his art with street style, social justice and his native Midwestern sensibilities.
Advertising
Zulu Alpha Kilo
Subverting the status quo of unpaid spec work, the Toronto ad agency demands its worth—and demonstrates it.
Typography
Neil Summerour
This type designer and letterer makes words luscious, curvaceous and anything but ordinary.
Exhibit
NSPCC TV commercial
Leo Burnett London and Knuckleheads ad shows how the NSPCC helps children dream again.
Avivi packaging
MSLK created an elegant brand packaging system for Avivi’s skin care products.
Bregenzer Festspiele identity
moodley’s identity ties the performing arts festival to its famous floating stage on Lake Constance.
Hannah’s Bretzel environmental graphics
Knoed Creative’s identity design gracefully describes the sandwich chain’s mission.
ifolor commercial
Walker Zurich & Knucklehead’s TV commercial shows how great photos can live forever.
Cheerios commercial
The spot by Saatchi & Saatchi NY and Community Films celebrates the ever-changing family.
Bloomberg R+D Center identity
Volume’s identity for the new office space evokes an established maturity.
Movado ads
LLOYD&CO’s ad campaign for Movado extends its legacy of designing artful, innovative watches.
G.W. Goodwynn packaging
Cult Partners’ packaging system for G.W. Goodwynn gin feels as good as it looks.
Nest OOH campaign
BBH New York’s campaign highlights Nest’s home products with beautiful, whimsical wallpaper.
Fresh
Photography
Aleksandra Kingo
This London photographer combines colorful fashion and unexpected humor.
Illustration
Jasu Hu
A New York illustrator’s fascination with textiles and architecture gives shape to her art.
Typography
OH NO Type Co.
Based in San Francisco, this type foundry revives neglected typefaces and carves out an unusual niche.
Columns
Advertising
If Advertising Is So Great, Why Are We So Unhappy?
Ernie Schenck says for ad agency staffers, finding happiness requires sacrifice & creativity.
Design Culture
Beyond Expertise
Wendy Richmond shows why artists should avail themselves of new collaborators.
Voices
The Bright Side of the “Dark” Side
Contrary to naysayers, Brian Brooker says moving to the client side can boost your creative work.
Creativity
Make Ready
Caitlin Dover reports on how designers find creative refuge in analog work.
Typography
Just Your Type
With ample survey research, Sarah Hyndman proves that typefaces influence us in surprising ways.
Emerging Media
The Road Ahead
Sam McMillan on how cars of the near future will open up new realms for interactive designers.
Business
Logo Pushback
In Ellen Shapiro’s Q&A panel, logo designers say social media backlash is expected & OK.
Favorites
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Interactive
Five Interactive Designers Share Their Treasured Finds
Asia Hoe, Oscar Llarena, Kelly Goto, Du Haihang and Catt Small share their favorite interactive tools.
Book Reviews
How To
A how to book by Michael Bierut.
The Best American Infographics 2015
Gareth Cook curated the most dazzling infographics of the year
Min
Stuart Tolley explores the Minimalist movement through brands, projects and pioneers.
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