Tom Hingston, director at Hingston Studio, discusses designing an interactive Formula 1 exhibition using a bespoke typographic system to engage diverse audiences and convey complex narratives.
Matt Burns, executive creative director at Thirst, describes Bruichladdich's campaign as a disruptive, humorous take on whisky branding that challenges traditional Scotch values.
GT Pantheon, by Tobias Rechsteiner of Grilli Type, is a versatile contemporary typeface inspired by historic forms, with optical sizes for optimal performance and expressive calligraphic details.
Johan Debit of Brand Brothers outlines Heletic's rebranding from an outdated family business to a refined identity using typography, overcoming trust and communication challenges.
Ron Thompson and Matt Titone of ITAL/C designed a bold brand identity for Mesiba, blending Tel Aviv Bauhaus influences with New York City nightlife, despite not visiting the location.
Harry Pearce of Pentagram shares how Sister's visual identity was inspired by Manchester’s history, Alan Turing, and local architecture, tackling complexity and future-proofing.
Design leader Phil Balagtas explores his methodology for imbuing longevity and sustainability into design, encouraging fellow designers to incorporate it into their own practice.
This primer, edited by Behnaz Farhi and Neil Leach, delves into the subject of interactive architecture and the recent technologies that bring our surroundings to life.
Through his own experience as cofounder of performance group Odyssey Works, author Abraham Burickson provides readers with a map on how to create experiential design.
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