Stuart Brown, art director
Reuben Hower, writer
Ryan O'Rourke/
Alberto Ponte, creative directors
Mark Fitzloff/
Susan Hoffman, executive creative directors
Jess Hall, director of photography
Phil Crowe, Flame artist
Healy Snow, assistant editor
Rich Orrick, editor
WORK, editorial company
Marc Bianchi/
Bryan Ray Turcotte, music composers
Beta Petrol, music company
Mit Out Sound, sound design
Ringan Ledwidge, director
Sue Troyan, visual effects supervisor
Adam Scott, colorist
Jennifer Barrons, line producer
LaRue Anderson/
Jennie Lindstrom, producers
Ben Grylewicz, executive broadcast producer
Arielle Davis, visual effects producer
Erica Thompson, post-production producer
Rattling Stick, production company
The Mill, visual effects company
Wieden+Kennedy Portland, ad agency
Nike, client
“I Would Run to You” 2:30 (Two lovers, he in New York, she in California, decide to run across the country to see each other. Quick cuts between the duo, as they sing) Woman: You’re so far away. Man: You’re so far away. Woman: I would run to you. Man: And I would run to you. (The woman puts up a strong showing, the man less so. He collapses before he leaves Manhattan) Woman: Love is a speeding comet. Man: I’m in a pool of my own vomit. Woman: Love is a perfect vision. Man: This was such a bad decision. Woman: Love makes everything serene. Man: Give me all your morphine! Woman: Baby I love you so much that I would run to you. Man: You would run to me? Woman: Baby I love you so much that I would run to you. I would run to you.
