Jan de Cock's large-scale installations are made in response to the architecture of the site he is working in and are both aesthetic interventions in the space as well as performing a utilitarian function. A laborious die-cut technique was employed in this issue's production to echo the engaging complexity of de Cock's work. It was recorded and photographed by Kirby Koh at the Tate Modern. 200 pages approx, 8 3/4 x 11 3/4, perfect-bound, die-cut throughout on different stock, 4-color.
