Scott Mahoney/
Dan Oliva, creative directors
Gianfranco Arena/
Peter Kain, executive creative directors
Greg Hahn/
David Lubars, chief creative officers
Aran Quinn, designer
Mauro Fiore, director of photography
Mike Leuis, assistant editor
Ian Mackenzie, editor
Mackenzie Cutler, editorial company
Adam Elk/
John 'Scrapper' Sneider, music
Storefront Music, music company
Sam Shaffer, Mackenzie Cutler, sound designer
Keith Reynaud, Heard City, audio mixer
Jim Jenkins, director
Nathan Kane/
Heather Kennedy, visual effects artists
Nathan Kane, visual effects supervisor
Fergus McCall, colorist
Jason Edmonds, production designer
David Rolfe, integrated production director
Alaina Crystal/
Annemarie Norris/
Sean Stogner, planners
Sabina-Elease Utley, producer
Alex Fulton, music producer
Melissa Chester, agency music producer
Marc Grill/
Sasha Hirschfeld/
Adam Isidore/
Ralph Laucella/
Gloria Pitagorsky, executive producers
Alex Gianni/
Amy Wertheimer, executive agency producers
Michael Scarcella, visual effects producer
O Positive, production company
The Mill, visual effects company
BBDO New York, ad agency
Mars Chocolate North America, Snickers, client
“Marilyn” :30
“Open on the set of The Seven Year Itch, where Willem Dafoe stands over a New York City subway grate in Marilyn Monroe’s iconic dress. The director calls ‘action,’ and wind blows up Willem’s dress, but he’s cranky and hungry. After Dafoe takes a bite of a Snickers bar, he transforms into Marilyn Monroe. Down below, Eugene Levy, a crew member operating the fan, is also cranky and hungry.”