“How can design extend an artist’s vision and references? The graphic identity, signage and book design for Angela Su’s presentation at the Hong Kong pavilion for the Venice Biennale 2022 reflect the sci-fi and psychedelic aesthetics that the artist often draws from, casting a playful communication framework for an international audience worldwide. The graphic identity employs a custom, dynamic typographic system reimagined Stanley Mouse’s 1967 Gathering of the Tribes poster, paired with Frame, the metamorphous Caslon font by Paul Barnes, resulting in suggestive yet uneasy juxtapositions.”